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The Stone Balancer


The Stone Balancer
John Townsend
Ransom Publishing, 2019
Paperback, 242 pages, £7.99
ISBN 9781785913624

This book is set in a small seaside town in England in the present day. Fin is a quiet, reserved 14-year-old boy. He lives with his sick mother, who worries about him, and distracts himself from his troubles by practicing his hobby of stone balancing, which is balancing pebbles and sea stones to create a sculpture. He decides to sell photos of his
sculptures to raise money for a local guide dog charity. He befriends a girl called Sophie, who spots something unsettling in his photos. When his mother has to go to hospital for a few weeks, his Uncle Calvin comes to stay with him. Fin soon finds out that his uncle has a violent streak and is only there to swindle Fin out of the inheritance he got from his grandfather. Sophie and Fin also try to solve a murder.

The Stone Balancer is an incredible YA book filled with twists and turns. You’ll feel so hooked onto every word that you won’t be able to put it down! If you enjoy murder mysteries this is 100% the perfect book for you. This book is filled with emotion; fear, anger and joy! It’s very well written, the characters are believable, the story never drags as you’re pulled into Fin’s world. The relationships between the characters feel fully believable and the story is very
convincing.

Author John Townsend was a secondary school teacher who’d written over 300 books. Most of them were educational books for young readers. This is his first for young adults book since he gave up teaching as he’s now a full-time
writer. I thought it was a brilliant read and I’d look forward to reading his next YA book.

Cate Reid, teen reviewer

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The M Word

The M Word
Brian Conaghan
Bloomsbury, 2019
Paperback, 337 pages, £7.99
ISBN 9781408871577

Maggie Yates lives with her mother and is about to start studying at her local art college. She has just lost her best friend Moya and is struggling with grief. Brian Conaghan’s latest novel is rooted in reality. His concise prose and portrayal of real issues pull no punches in writing about the effects of grief. Maggie is trying to find a way, any way, to move on from the loss of her friend. She uses music, from The Smiths to Elliot Smith, and also turns to more drastic measures to get through it. Coupled with this, Maggie’s mum has lost her job and is suffering with depression.

Hope for Maggie comes in the form of building new friendships in college and a tentative relationship with her somewhat new-age counsellor, Anna. Much of the story is concerned with Maggie talking to Moya in her head, really trying to understand what happened and how to carry on herself.

Brian Conaghan’s writing is sparse and economical, full of short sentences which often drop pronouns, really getting to the point. The characters feel well developed, even as they sometimes only grunt at each other as is often the case between Maggie and Mum. This is not to say that they dislike each other, rather that both are dealing with their own demons.

Maggie’s new friends, particularly Davis, bring a levity to the plot along with a subplot regarding a blind date for Mum. The M Word is a fantastic read with brilliant characters. Its portrayal of grief is unflinching and powerful. Readers should be aware that it contains some disturbing and adult themes.

Derek Carney

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Shakespeare’s Ghost

Shakespeare’s Ghost
Mary Hoffman
The Greystones Press, 2016
Paperback, 358 pages, £8.99
ISBN 9781911122005

The year is 1610, and William Shakespeare is the most popular playwright in England.

Edmund Lambert is a 17-year-old on the cusp of change. As an actor in the King’s Men theatre group, he is now beginning to play male parts instead of the female parts in plays (that’s right, in England women were only allowed to perform on stage from the 1660s!). He is coming towards the end of his apprenticeship to the theatre company and does not know where his life is soon to lead him. Until he starts receiving visits from an ethereal woman in green, who nobody else can see. Who else could he turn to, but Shakespeare himself?

For all historical fiction fanatics this read is fun and exciting and it is a brilliant page-turner for readers wanting to learn a little more about life in Shakespeare’s England. Possibly, Mary Hoffman sometimes sacrificed character development and plot intricacies for a more educational approach. In this way, this is the perfect read for anyone fascinated by the early modern period, with an exciting supernatural twist. However, there were times when some seemingly important details were left unexplained and unexplored as a result.

The setting and time felt thoroughly researched and authentic. For this, I applaud the writer. As a Shakespeare fanatic myself, I enjoyed the many references to his plays and personal life. I do wonder if a certain level of knowledge is expected of the reader, but regardless the fantastical element lends to a thrilling read for young teens.

Sinéad Creedon

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Review: Tell Me No Truths by Gill Vickery

  • Tell Me No Truths
  • Gill Vickery
  • The Greystones Press, 2018
  • Paperback, 338 pages, £8.99
  • ISBN 9781911122234

Nico, Jade and, Amber meet in Florence during a trip with their respective families. Nico wants to follow the path of his favourite crime author, E.J. Holme, who lives as a recluse, and Amber and Jade want to understand why their grandfather had to flee Italy after the fascist Black Brigade attacked a Partisans’ farm on April 9, 1944. All the answers seem to be found in Borgo Sant’ Angelo. Are the twin sisters ready to uncover the truth about their grandfather? Will Nico finally discover the identity of E.J. Holme? What is the link between the writer and the sisters’ story?

Gill Vickery’s novel Tell Me No Truths is about secrets: the secret identity of E.J. Holme, the secret of Jade and Amber’s grandfather, the secret of Borgo Sant’ Angelo’s Partisans. It is also about growing up, becoming independent, and accepting the past to be able to move on.

All characters are well-developed; they all have qualities and flaws which make them relatable. Nico dresses like a goth and is passionate about drawing. He struggles with a very protective mother and a step-father he finds annoying. Jade is empathetic and calm whereas her sister, Amber, is impulsive and energetic. They both really miss their grandfather and want to understand his past. The sisters are afraid of telling their parents about their research fearing they will disapprove it.

The plot and sub-plots are well-structured and as I was as surprised as Nico, Jade, and, Amber when the truths were finally unveiled. Chapters which take place in the present moment are followed by chapters which relate the event taking place during World War II. Following the two storylines is easy and they complement each other. 

In this book, Gill Vickery also shares her love for Italy and Florence and I really enjoyed following the three teenagers around the city. It also made me want to learn more about World War II in Italy and about the Partisans’ fight against fascism.

This is an excellent book that I would recommend if you are looking for a gripping storyline. 

Anne-Charlotte Gerbaud

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Toffee

Toffee
Sarah Crossan
Bloomsbury, February 2020
Paperback, 416 pages, £7.99
ISBN 9781408868133

Marla is a witty elderly woman with dementia, who keeps a stack of paperbacks in the fridge, and enjoys dancing to John Lennon in her kitchen. Allison, a bright 16-year-old, hops on a bus to Bude in search of a new life, free from an abusive father and unsupportive friends. When Allison is caught fleeing from Marla’s shed, she is mistaken for an old childhood friend called Toffee and is invited in for something sweet. Allison takes on the role of Toffee for a while, and enjoys dancing, building sandcastles, and Marla’s great sense of humour. What begins as Allison taking advantage of a confused woman with a safe spare room blossoms into a caring, reciprocal friendship both characters desperately need.

The touching verse novel explores complex family relationships, and themes of identity and loneliness. Both Allison and Marla struggle with finding and accepting themselves as they are, but as their bond grows it becomes obvious that understanding, patience, and dancing are the key to a healthy, supportive relationship. Few people take her idle talk seriously, but Marla’s honest words enable Allison to realise her self-worth and in return Marla is rewarded with a genuine friend, and the patience a woman struggling with dementia deserves. Winner of the Honour Award for Fiction in the KPMG Ireland Children’s Books Awards 2020, Toffee is lyrical and compelling, with Crossan’s style beautifully balancing trauma and frustration, with heart-warming moments and glimpses of humour.

Danielle Hudson

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All the Invisible Things

All the Invisible Things
Orlagh Collins
Bloomsbury, 2019
Paperback, 368 pages, £7.99
ISBN 9781408888339

17-year-old Vetty Lake is bisexual and has been hiding herself away for the last four years, ever since her Mum died and her family moved across the country to grieve. But when they’re finally ready to move back to London and she gets to
reunite with her childhood best friend, Pez, she’s determined to start living her true, authentic self. But coming back to London has made her realise just how different Pez really is, not to mention everything else…

This, the sophomore novel of Collins, was a truly emotive piece of writing. The prose was gorgeous and the development of Vetty as our main character from beginning to end was a privilege to be a part of. The author tackles important issues like the struggle of being bisexual and how it often feels like you’re trapped between two different things. This was a bit slow to start, but once the story really started to unfold it became quite an engaging book. With strong characters, Collins does not shy away from serious topics, so much so that it’s impossible for her characters not to resonate with you. They all had well-developed, contrasting personalities. This was a really enjoyable read, with a stunning coming-of-age storyline at the heart of the book and a powerful message about learning to love yourself as you are and being confident in all aspects of you – both positive and negative.

Ross Kelly

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Canto, Volume 1: If I Only Had A Heart

Canto, Volume 1: If I Only Had A Heart
David M. Booher
Drew Zucker
IDW Publishing, March 2020
Paperback, 152 pages, £15.99
ISBN 9781684056217

Canto’s people have been enslaved on Arcana for generations, working tirelessly to provide fuel for the furnaces below the area. Their hearts have been replaced with clocks, slowly ticking away their time. They are forbidden to have a name, forbidden to care for one another, forbidden to love. Yet Canto is in love with a girl and when the slavers damage her clock beyond repair, he starts on a quest to find her heart. As he travels further through the world he has never seen before, can Canto overcome all that awaits, with the help of the unexpected allies he finds along the way?

Inspired by The Wizard of Oz and Dante’s Inferno, Canto provides us with a whimsical and modern twist on an otherwise standard tale of a knight embarking on an adventure to save the princess. With a fresh spin added to it, the storyline is grasping, and the somewhat darker themes explored in it are done tactfully, with humorous breaks in between. The characters are charming and our brave, little hero is one that a lot of us will be able to relate to. The artwork and dialogue complement each other nicely and are used effectively to convey timeless ideas, values, and virtues. I will be looking forward to reading Volume 2, whenever it is out. I enjoyed this first one tremendously, however, I think there is potential to improve upon the world development and key scene delivery within this series.

Joanna Kleibauer

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The Wickerlight

The Wickerlight
Mary Watson
Bloomsbury, 2019
Paperback, 432 pages, €11.20
ISBN 9781408884911

Zara Swart and David Creagh are from two entirely different worlds, one full of old Irish magic and one full of secrecy and mystery. These two worlds begin colliding after the death of Zara’s sister, Laila. Zara starts looking for the magic Laila always believed in as an effort to stay close to her sister and to make sense of her death, while David
questions what his family taught him to be unquestionable law.

In The Wickerlight, Watson puts a new spin on Irish mythology and folklore, bringing it to life in a brand new vessel. Watson’s use of colloquialisms livens up dialogue and narrative alike, and her writing flows like a silk tear
falling from the goddess Bríd’s cheek.

The Wickerlight caught me and held me captive in a woven room of its own, refusing to release me, from the mystical start to the bittersweet end. It delicately and realistically deals with issues such as adultery, death, racism, truth and war, and brings up uncomfortable but necessary questions about family loyalty. It shows a clear understanding of each issue addressed and splits them into manageable portions for all readers. It also offers a unique twist on ideas on the Tuatha Dé Danann, draoithe and spells that will cause any Irish folk-lover to re-examine their view of Irish mythology. It convinces the reader that maybe, just maybe, magic can bleed into their life too.

The Wickerlight is perfect for a witchy night in with a steaming cup of tea (stormy background noise optional but recommended).

Elliot Gallogly

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The Prime of Miss Jean Brodie

The Prime of Miss Jean Brodie
Muriel Spark
Barrington Stoke, February 2020
Paperback, 265 pages, £7.99
ISBN 9781781129241

Muriel Spark’s The Prime of Miss Jean Brodie is a fascinating and engrossing read. The premise is seemingly simple: a teacher takes six young girls, the “Brodie Set,” and through unconventional teaching methods, educates them using anecdotes from her own experiences. “Give me a girl at an impressionable age,” she says, “and she is mine for life.” 

The fast-paced narrative switches from past to future, creating a circular chronology and allowing the reader some limited knowledge of future events while discovering the ways in which they came about. This allows the tension to mount to a height throughout the book, and casts innocent ventures such as Miss Brodie’s afternoon tea with her “set” in a far more sinister light. 

The teacher’s, and consequently the girls’, obsession with sex and with art teacher Teddy Lloyd obscures what in the end turns out to be Miss Brodie’s downfall: her politics. Set in pre-WWII Edinburgh, the twin shadows of Fascism and Calvinism hang over the book, but as the group of “crème de la crème” girls are distracted with the business of growing up, it is easy for both the characters and the reader to ignore these signposts. 

The narrative is witty and sparse and allows the reader to make what they will of a lot of the plot, although in other areas things are spelled out pointedly for the reader, for instance the way in which the girls’ – incessantly repeated – physical traits correspond to their specific role in the Brodie set. The story hinges on Sandy’s journey from adoring pupil to suspicious and aloof young woman, the eventual betrayal of Miss Brodie clearly something that will haunt the Brodie set for the rest of their lives.  

Originally published in its entirety in the New Yorker Magazine and in print format in 1961, the text now appears in a new, super-readable edition which makes it especially clear for dyslexic readers or for anyone who struggles with smaller fonts and is more accessible than ever. You’ll fly through it!

Deirbhile Brennan 

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The Oracle Code

The Oracle Code
Marieke Nijkamp
Manuel Preitano
DC Comics, March 2020
Paperback, 208 pages, $16.99
ISBN 9781401290665

Barbara Gordon moves to Arkham Center for Independence to undergo physical and mental rehabilitation after a gunshot has left her paralysed from the waist down. As she is trying to adapt to her new lifestyle, she cannot help but notice that the institute is not what it seems. Patients go missing and strange, disturbing sounds can be
heard during the night. Is Barbara looking for an excuse to avoid integrating with fellow patients or is her intuition onto something?

The life she knows has been altered and our young heroine is struggling to understand who she is now and how much of the old her has remained. Barbara puts her problem-solving skills and love for puzzles to use when her newly found friend and her brother go missing, seemingly without a trace. On her quest to find out what has happened to them, she learns the value of friendship and teamwork.

The Oracle Code is a thoughtful graphic novel with beautiful artwork, dominated by blue and orange colours. It shows how the determination of just one person can affect and help many others. Barbara is an extremely likeable, brave teenager, portrayed realistically. Her emotional outbursts and the way she reacts to situations all felt authentic. In comparison, the side characters could use more development. Their purpose within the story was clear, however not much was explored with regards to their personalities. Regardless, I have still found this read to be thoroughly enjoyable.

Joanna Kleibauer