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Dead Ed In My Head

  • Dead Ed in my Head
  • Barbara Catchpole
  • Ransom Publishing, 2017
  • Paperback, 160 pages, £7.99
  • ISBN 9781785916335

Tod already has his head full of girls, school, family life and his Saturday job when, suddenly, he also has to deal with a dead guy talking to him behind his left ear. Tod is desperate to get on with his own life without worrying about dead Ed, but Ed grows deeper roots into Tod’s head.  Ed used to live in the nursing home Tod worked in. Tod takes advantage of Ed’s skills in math, marketing, and, most importantly, girls. Ed, however, may have found something that would allow him full control over this young specimen and to start a new life complete with parties, romance, and drugs. Catchpole creatively takes an idea of what happens after death and creates a unique story about a boy struggling with his current life with a dead person talking in his ear.

Catchpole sprinkles a variety of characters through the story, a favourite being independent, tough Lacey. Dead Ed in my Head is told by Tod and Ed, often through their thought processes. This technique is enjoyable as Tod often gets sidetracked, and it also allows the reader and Tod to learn more about Ed’s past. Through Tod, Catchpole shows what teenage life is like: the things they get up to, the struggles they face and what is happening on the inside. 

Catchpole humorously brings this coming-of-age story neatly together with relatable moments of school battles, family strife and first love. An interesting book which I quite enjoyed reading.

Rowan Beddows, teen reviewer

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Night of the Dragon

Night of the Dragon
Julie Kagawa
HQ Young Adult, April 2020
Paperback, 355 pages, £7.99
ISBN 9781848457706

The third and final installment of the Shadow of the Fox trilogy opens with the team reeling from a devastating blow, the loss of the Dragon Scroll to Genno, Master of Demons. This unique group of unlikely heroes now race against the clock to save the Dragon Scroll and prevent the great Kami Dragon from being summoned as the fate of the entire world hangs in the balance.

This action-packed adventure is told from multiple perspectives. Firstly, from the perspective of Yumeko, a magical kitsune who can wield foxfire and create illusions. This is followed by Tatsumi, a skilled demonslayer who just happens to share his soul with a powerful demon named Hakaimono and finally, a ghost called Suki who is still tethered to the living realm as she has a key role to play in the destiny of each character. There are other vibrant characters who make up the group: The Shrine Maiden, The Ronin and The Noble.

Julie Kagawa has succeeded in creating a textured and tangible world overflowing with culture, tradition and history. Destiny and fate are a major focus in the book, an acceptance and willingness to sacrifice themselves if they were destined to do so. As the team travels across various territories on their perilous and violent quest I could truly connect with each individual character. I also really enjoyed the startling contrast between Tatsumi, who is mistrusted and struggles to co-exist with a savage and bloodthirsty demon and Yumeko, who is a hero in every sense of the word, selfless and good. I would highly recommend this book, a great read with some exciting plot twists.

Emma Daly, teen reviewer

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A Hurricane In My Head

  • A Hurricane In My Head
  • Matt Abbott
  • Bloomsbury Education, 2019
  • Paperback, 138 pages, £6.99
  • ISBN 9781472963505

A Hurricane In My Head: Poems For When Your Phone Dies by Matt Abbot is a fun book of poetry about being a young teen. There is a wide range of forms and themes covered in the book ranging from school life to the world. Many of the poems are timeless, and often deal with important issues such as bullying, gender stereotyping, dating and all the big and small issues we face in teenage (and adult) life.

While reading this book, I found myself reminiscing for the ‘good old days’ of going to the cinema, the joy of pulling a sickie, and the importance of BEST friends. The book also introduces different forms of poetry (haiku and limerick). At the end of the book, there is a wonderful section titled ‘Get Writing’ for young poets with tips to get them started on their own poetry.

There is something for everyone in this book of poetry. Some of my favourites include The Career Advisor who is dumbfounded anyone would want to be a poet, and asks “How about digital media?,” and the poem The Spine-Tingling Horror of 0% that I think we can all relate to. I laughed. I cringed. I remembered those wonderful and awful times. For that alone I recommend this book to both old and young readers.  

Emily Cross

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Flash Fiction Competition Winners

We are so thrilled to announce the winners of the ‘Right Here, Right Now’ Flash Fiction Competition!

Winner of the Under 18 category is First Came the Virus by Molly McDonagh.

Winner of the 18+ category is Ocean Waves by David Deady


First Came the Virus

First came the virus, then came the leak. Pale green plasterboard, cracked and rotting, surrounded her on this dark, barely lit corridor. Damp had started to seep down from the roof but job loss had meant there was no one to fix it. Money was a problem. They hadn’t been open for months and so had made no income of any sort. The wood-panelled floor had started to lift too. So much to do with so little time. They were expected to be open by Tuesday. How, Kelly had no idea. Anything that wasn’t soaking wet from the leaking pipe was covered in an inch of dust. Miraculously, the kitchen had stayed dry. Kelly didn’t fancy having to move everything to clean it. Her staff wouldn’t be back for another few days and anyway, she wasn’t sure she would be able to pay all of them. Yellow warning stickers covered the windows and the floor, with about half of the oak tables and chairs pushed out to the back to allow for social distancing. Like customers would follow that anyway. Sighing, Kelly took up her brush.

Molly McDonagh


Ocean Waves

James didn’t think he’d get to see the ocean again. Sitting on a crumbling wall overlooking the entire bay, he bounced the backs of his trainers off the stone in slow succession. The old bike he’d rescued from his parent’s shed lay abandoned on the swathe of beachgrass that stretched out beneath him. There had been a storm the night before and the battered thickets were finally beginning to regain their vigour, gently swaying in the panacea of some late summer sunshine.

Finally alone and away from the throngs of people intending for the main beach, James allowed himself a moment to relax. He unlooped the mask from his ears and breathed in the salty air, filling his lungs to capacity, hoping to ease the knots that had been shackled in his stomach for months now. So much of the world had changed, but there was something so reassuringly enduring about being able to see this serene vista, a familiarity that was lost in the city now where tendrils of the virus had touched every surface. 

He sighed and vaulted himself down off the wall as he began to make his way to a part of the shore that remained hidden. The path was involved and tricky but James was sure footed. His battered sneakers instinctively gripped to the craggy rocks he knew would safeguard his passage, gliding by the treacherous ones covered in a slick of green seaweed. It seemed like there’d been a trail long ago, but years of weathering and overgrowth had seen to its vanishing.

The trip was more than ritual now. A latent muscle memory took over and within seconds his feet landed on a patch of dry, dusty sand. Seagulls squawked and soared overhead, lunging at the small bubbles on the shoreline in search of hidden bivalves and snails that appeared when the tide retreated out. James removed his shoes and socks, allowing his toes to wriggle and adventure for a second before he slowly walked to the edge of the water.

Frigid waves lapped eagerly at James’s ankles. Every one of his senses was ravenous after months of isolation; each thunderous swell of water was a sparkling aria that welcomed him home. Nothing was the same though. He had lost and sacrificed so much. But at least the sea still remained, strong and unyielding. A seemingly small delight, but one that made James’s heart soar.

David Deady


About the Authors

Hi, I’m Molly McDonagh. I’m 14 years old and I love rock climbing, reading, writing, drawing, cinema and cycling. My fav subject in school is probably English or Art but I like TG too! I have two younger brothers and a baby sister. I also have a dog called Daisy. My instagram account is called @artbymolly2020.

David Deady is a copywriter who works in Dublin and has an MA in American literature and film from UCC. He has been published in Sonder Magazine, Huffington Post, HeadStuff and other online media outlets. He loves pop culture and spends his time writing thinkpieces about Hilary Duff.

Twitter: @david_deady

Instagram: @aboynameddavid

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Right Here, Right Now Flash Fiction Competition

This competition is now closed. Thank you to everyone who has submitted!

Paper Lanterns are delighted to announce our flash fiction competition! The theme is “Right Here, Right Now.”

Have you got lots of ideas about the current ways of the world around you? Are you looking for a short but sweet way to express all that you feel and think about the events in your life? Then this is the competition for you. 

Details: 

  • This competition is now closed. Thank you to everyone who has submitted!
  • The competition is open to anyone over 13 years old (teens and adults alike!)
  • Submissions are divided into two categories:
    • 13-18 years old
    • 19+ years old
  • Submission fee is €3
    • All funds raised go directly towards the production costs of our journal and paying our contributors for issue two. 
    • There will be an opportunity for you to sponsor a writer’s submission, with our “pay it forward” system. 
  • We will announce two winners in July, one in each category.

The winning stories will be published on the Paper Lanterns website and each winner will receive a €15 prize.

Rules: 

  • Flash fiction entries must be max 400 words
  • The theme “Right Here, Right Now” can be interpreted in any way you like
  • There is no limit on the number of entries
  • Entries must be suitable for a teenage audience 
  • Entries must not be published elsewhere (if you are submitting simultaneously, please let us know if you are accepted elsewhere)
  • Please submit your entry in a Microsoft Word document, size 12 font

Do NOT include your name anywhere within the flash fiction document – we want to keep the judging process anonymous!

How to submit:

Follow this easy, two-step system

Step One:

  • Donate €3 to our Ko-fi page (this counts as your submission fee!)
  • Include your full name when you donate 
  • You will be given a receipt for your donation – take a screenshot of this or save it as a PDF (very important step!)
  • Each submission costs €3 to enter (if you are entering two pieces of flash fiction, please donate €6 – for three entries, please donate €9 – and so on).
  • Our Ko-fi page: https://ko-fi.com/paperlanterns

Step Two:

  • Fill out our submission form (name, email, etc)
  • You will be asked to upload proof of your submission (the screenshot / PDF of your receipt!) 
  • Upload your flash fiction entry as a Microsoft Word doc (please label the document as follows: Flash Fiction Competition – “title of the writing piece”)
  • Do NOT have your name visible on the Word document (to keep the judging process anonymous)
  • If you are submitting multiple entries, please upload them as separate documents)
  • Our submission form: https://forms.gle/Eok7w6mkMAxy5SnS6
  • And you’re done!

Can’t afford the fee?

Accessibility is an important part of our goals here at Paper Lanterns, which is why we are implementing a “pay it forward” system for this competition. 

  • If you would like to sponsor a submission fee (or a few!) – firstly, thank you very much!
  • Secondly, you can donate on our Ko-fi page. Be sure to include your name and a note saying, “PAY IT FORWARD.”

If you are a writer who is experiencing financial difficulties and would like to avail of the Pay It Forward system, drop us an email at paperlanternsjournal@gmail.com and we will help you out. 

If you have any questions about the competition, feel free to contact us at paperlanternsjournal@gmail.com 

Good luck!

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Paper Lanterns Online Open Mic Fundraiser

Hello! Welcome to the Paper Lanterns Online Open Mic Fundraiser!

When: Thursday May 28th at 7pm
Where: From the comfort of your own home

How much: €3

Due to COVID-19 restrictions, we will be hosting this fundraiser online.
So, get ready for an evening of readings; poetry, short stories, and more! We will be showcasing the works of many talented folks throughout the night. The event is open to anyone over the age of 13 years – whether you want to watch or to perform, all are welcome!

All funds raised from this event go towards the production costs and contributors fees for issue two.

So, how does it work? Follow this simple three-step process to make sure you don’t miss out on this exciting fundraising event!


STEP ONE – BUYING YOUR TICKET
Tickets cost €3 per person. This step applies to both performers and attendees.

We ask you to buy a ticket by donating €3 on our Ko-fi page. You will be sent a PayPal receipt to your email. Be sure to save this receipt, it acts as your ticket! You can take a screenshot of this receipt on your phone or computer, or you can save it as a PDF.

Of course, if you wish to donate more than €3, we will be forever grateful for your generosity!
Ticket sales will close on Thursday May 28th at 6pm (one hour before the event!)

Order your ticket here: https://bit.ly/2AyBjGO


STEP TWO – REGISTRATION
This step is important, this is how we will get you into the event! This step applies to both performers and attendees.

Fill our the registration form below, including your name and email.
You will be asked to upload your proof of purchase (the screenshot / PDF of your ticket) here. Without this, you will not be registered for the event.

Performers: you will be asked to upload / share a link to your video for the open mic. We also ask you to provide a short bio (max 100 words). You will be asked to confirm the following:
– That the content of the video is suitable for a teen audience. Paper Lanterns will review all videos and reserve the right to deny any performances that are deemed inappropriate.
– That if you are a performer under the age of 18 years, you will be asked to sign a parental consent form, without which you will not be permitted to perform.

Some tips for performers recording videos:
– Make sure you film horizontally
– Try have lots of lighting so we can see your lovely faces!
– Speak loud and clear! Good audio is key
The deadline to submit videos is midnight on May 27th
There is a limited number of performance slots, which will be allocated on a first come, first served basis.


Register here: https://forms.gle/zjgb9Efnf7RpNH4j8


STEP THREE – SIT BACK AND ENJOY
You’ve done all that you need to do!

We will be in touch over email just before the event starts on Thursday May 28th at 7pm. You will be given an exclusive link to watch the videos of the performers as they go live.


Thank you for your support and enthusiasm for Paper Lanterns. We are so excited to showcase lots of wonderful talent and to share an evening with you.

If you have any questions, please feel free to contact us at paperlanternsjournal@gmail.com

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Launch of Issue 1 – Thank You!

Thank you to everyone who tuned in to our launch! We were delighted to receive such wonderful support. You can watch the launch as a playlist on our YouTube channel.

Enjoy readings from Aoife Sheehan, Celia Jenkins, John Britton, Evangeline Henry, Esmée Kidd and Joe Byrne.

Submissions for Issue 2 are open until May 13th. Find out more here.

Issue 1 is now for sale – you can buy a copy here

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A Treason of Thorns

Laura Weymouth

A Treason of Thorns

Chicken House, March 2020

Paperback, pp. 376, £9.99

ISBN 9781912626694

A Treason of Thorns is a beautiful, lyrical and suspenseful “Big House” novel with a difference. Burleigh House, like all the great houses of Victorian novels, is as much of a lead character as the people who live within its walls, but in this novel the house itself is alive with a special magic that looks after the countryside around it and the people who live on and tend to the land. However, when the caretaker of the house is put under house arrest for treason, his daughter, Violet, is banished and only allowed to return after her father has died. When she comes back to Burleigh she finds the house has fallen into disrepair and has begun to tear itself apart and poison the landscape it once made flourish.

I was really drawn to the single-minded, ruthless and fiercely loyal Violet, and I felt that the secondary characters and relationships pale in comparison to the relationship between Violet and Burleigh. They share a magical bond where one can’t seem to thrive without the other. The plot of the novel is familiar, in that there is one brave person who is determined to save something she loves, in this case her home. However, the reader’s preconceptions of this common plot is changed by how Violet interacts with the house as a living thing, and Laura Weymouth’s careful world building, rooted in Victorian ideals of the home and duty of care of the ruling classes, makes this a unique and enchanting novel worth staying up too late for.

Laura King

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Pretty Funny

Rebecca Elliott

Pretty Funny

Penguin Random House, March 2020

Paperback, Ebook, pp. 336, £7.99

ISBN 9780241374627

Haylah Swinton lives with her mother and her brother, a small dictator. At school she is called Pig, a nickname she adopts to prevent further teasing about her weight. Refreshingly though, this is not a book solely about Haylah’s weight and her size is simply a nice fun fact about her rather than the novel’s driving narrative. Her mother starts dating a man totally wrong for her – he wears shoes with no socks – and she develops crush on Leo Jackson after watching him do comedy at her school’s talent show. When she overhears Leo saying he has no inspiration for new material to perform, Haylah decides to help him out because she is pretty funny too and has her own nascent aspiration to be a comedian.

This is Rebecca Elliott’s first YA novel and the first of an upcoming series. If you enjoy feminism combined with comedy then this is the book for you. Haylah is a witty and realistic character who gets into embarrassing situations and makes mistakes. She may be overweight, but Haylah embraces her body and shows that there is so much more to a person than what they look like. Elliott’s writing is sharp and observant, with a healthy serving of jokes throughout. I particularly appreciated the novel’s ending as it affirms that standing up for and loving yourself is more important than standing on the side-lines and loving a boy. This book will have you giggling under the covers, cheering for girl power and applauding female comedians.

Evangeline Henry

Pretty Funny book cover