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All the Invisible Things

All the Invisible Things
Orlagh Collins
Bloomsbury, 2019
Paperback, 368 pages, £7.99
ISBN 9781408888339

17-year-old Vetty Lake is bisexual and has been hiding herself away for the last four years, ever since her Mum died and her family moved across the country to grieve. But when they’re finally ready to move back to London and she gets to
reunite with her childhood best friend, Pez, she’s determined to start living her true, authentic self. But coming back to London has made her realise just how different Pez really is, not to mention everything else…

This, the sophomore novel of Collins, was a truly emotive piece of writing. The prose was gorgeous and the development of Vetty as our main character from beginning to end was a privilege to be a part of. The author tackles important issues like the struggle of being bisexual and how it often feels like you’re trapped between two different things. This was a bit slow to start, but once the story really started to unfold it became quite an engaging book. With strong characters, Collins does not shy away from serious topics, so much so that it’s impossible for her characters not to resonate with you. They all had well-developed, contrasting personalities. This was a really enjoyable read, with a stunning coming-of-age storyline at the heart of the book and a powerful message about learning to love yourself as you are and being confident in all aspects of you – both positive and negative.

Ross Kelly

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Canto, Volume 1: If I Only Had A Heart

Canto, Volume 1: If I Only Had A Heart
David M. Booher
Drew Zucker
IDW Publishing, March 2020
Paperback, 152 pages, £15.99
ISBN 9781684056217

Canto’s people have been enslaved on Arcana for generations, working tirelessly to provide fuel for the furnaces below the area. Their hearts have been replaced with clocks, slowly ticking away their time. They are forbidden to have a name, forbidden to care for one another, forbidden to love. Yet Canto is in love with a girl and when the slavers damage her clock beyond repair, he starts on a quest to find her heart. As he travels further through the world he has never seen before, can Canto overcome all that awaits, with the help of the unexpected allies he finds along the way?

Inspired by The Wizard of Oz and Dante’s Inferno, Canto provides us with a whimsical and modern twist on an otherwise standard tale of a knight embarking on an adventure to save the princess. With a fresh spin added to it, the storyline is grasping, and the somewhat darker themes explored in it are done tactfully, with humorous breaks in between. The characters are charming and our brave, little hero is one that a lot of us will be able to relate to. The artwork and dialogue complement each other nicely and are used effectively to convey timeless ideas, values, and virtues. I will be looking forward to reading Volume 2, whenever it is out. I enjoyed this first one tremendously, however, I think there is potential to improve upon the world development and key scene delivery within this series.

Joanna Kleibauer

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The Wickerlight

The Wickerlight
Mary Watson
Bloomsbury, 2019
Paperback, 432 pages, €11.20
ISBN 9781408884911

Zara Swart and David Creagh are from two entirely different worlds, one full of old Irish magic and one full of secrecy and mystery. These two worlds begin colliding after the death of Zara’s sister, Laila. Zara starts looking for the magic Laila always believed in as an effort to stay close to her sister and to make sense of her death, while David
questions what his family taught him to be unquestionable law.

In The Wickerlight, Watson puts a new spin on Irish mythology and folklore, bringing it to life in a brand new vessel. Watson’s use of colloquialisms livens up dialogue and narrative alike, and her writing flows like a silk tear
falling from the goddess Bríd’s cheek.

The Wickerlight caught me and held me captive in a woven room of its own, refusing to release me, from the mystical start to the bittersweet end. It delicately and realistically deals with issues such as adultery, death, racism, truth and war, and brings up uncomfortable but necessary questions about family loyalty. It shows a clear understanding of each issue addressed and splits them into manageable portions for all readers. It also offers a unique twist on ideas on the Tuatha Dé Danann, draoithe and spells that will cause any Irish folk-lover to re-examine their view of Irish mythology. It convinces the reader that maybe, just maybe, magic can bleed into their life too.

The Wickerlight is perfect for a witchy night in with a steaming cup of tea (stormy background noise optional but recommended).

Elliot Gallogly

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The Prime of Miss Jean Brodie

The Prime of Miss Jean Brodie
Muriel Spark
Barrington Stoke, February 2020
Paperback, 265 pages, £7.99
ISBN 9781781129241

Muriel Spark’s The Prime of Miss Jean Brodie is a fascinating and engrossing read. The premise is seemingly simple: a teacher takes six young girls, the “Brodie Set,” and through unconventional teaching methods, educates them using anecdotes from her own experiences. “Give me a girl at an impressionable age,” she says, “and she is mine for life.” 

The fast-paced narrative switches from past to future, creating a circular chronology and allowing the reader some limited knowledge of future events while discovering the ways in which they came about. This allows the tension to mount to a height throughout the book, and casts innocent ventures such as Miss Brodie’s afternoon tea with her “set” in a far more sinister light. 

The teacher’s, and consequently the girls’, obsession with sex and with art teacher Teddy Lloyd obscures what in the end turns out to be Miss Brodie’s downfall: her politics. Set in pre-WWII Edinburgh, the twin shadows of Fascism and Calvinism hang over the book, but as the group of “crème de la crème” girls are distracted with the business of growing up, it is easy for both the characters and the reader to ignore these signposts. 

The narrative is witty and sparse and allows the reader to make what they will of a lot of the plot, although in other areas things are spelled out pointedly for the reader, for instance the way in which the girls’ – incessantly repeated – physical traits correspond to their specific role in the Brodie set. The story hinges on Sandy’s journey from adoring pupil to suspicious and aloof young woman, the eventual betrayal of Miss Brodie clearly something that will haunt the Brodie set for the rest of their lives.  

Originally published in its entirety in the New Yorker Magazine and in print format in 1961, the text now appears in a new, super-readable edition which makes it especially clear for dyslexic readers or for anyone who struggles with smaller fonts and is more accessible than ever. You’ll fly through it!

Deirbhile Brennan 

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The Oracle Code

The Oracle Code
Marieke Nijkamp
Manuel Preitano
DC Comics, March 2020
Paperback, 208 pages, $16.99
ISBN 9781401290665

Barbara Gordon moves to Arkham Center for Independence to undergo physical and mental rehabilitation after a gunshot has left her paralysed from the waist down. As she is trying to adapt to her new lifestyle, she cannot help but notice that the institute is not what it seems. Patients go missing and strange, disturbing sounds can be
heard during the night. Is Barbara looking for an excuse to avoid integrating with fellow patients or is her intuition onto something?

The life she knows has been altered and our young heroine is struggling to understand who she is now and how much of the old her has remained. Barbara puts her problem-solving skills and love for puzzles to use when her newly found friend and her brother go missing, seemingly without a trace. On her quest to find out what has happened to them, she learns the value of friendship and teamwork.

The Oracle Code is a thoughtful graphic novel with beautiful artwork, dominated by blue and orange colours. It shows how the determination of just one person can affect and help many others. Barbara is an extremely likeable, brave teenager, portrayed realistically. Her emotional outbursts and the way she reacts to situations all felt authentic. In comparison, the side characters could use more development. Their purpose within the story was clear, however not much was explored with regards to their personalities. Regardless, I have still found this read to be thoroughly enjoyable.

Joanna Kleibauer

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Dead Ed In My Head

  • Dead Ed in my Head
  • Barbara Catchpole
  • Ransom Publishing, 2017
  • Paperback, 160 pages, £7.99
  • ISBN 9781785916335

Tod already has his head full of girls, school, family life and his Saturday job when, suddenly, he also has to deal with a dead guy talking to him behind his left ear. Tod is desperate to get on with his own life without worrying about dead Ed, but Ed grows deeper roots into Tod’s head.  Ed used to live in the nursing home Tod worked in. Tod takes advantage of Ed’s skills in math, marketing, and, most importantly, girls. Ed, however, may have found something that would allow him full control over this young specimen and to start a new life complete with parties, romance, and drugs. Catchpole creatively takes an idea of what happens after death and creates a unique story about a boy struggling with his current life with a dead person talking in his ear.

Catchpole sprinkles a variety of characters through the story, a favourite being independent, tough Lacey. Dead Ed in my Head is told by Tod and Ed, often through their thought processes. This technique is enjoyable as Tod often gets sidetracked, and it also allows the reader and Tod to learn more about Ed’s past. Through Tod, Catchpole shows what teenage life is like: the things they get up to, the struggles they face and what is happening on the inside. 

Catchpole humorously brings this coming-of-age story neatly together with relatable moments of school battles, family strife and first love. An interesting book which I quite enjoyed reading.

Rowan Beddows, teen reviewer

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Night of the Dragon

Night of the Dragon
Julie Kagawa
HQ Young Adult, April 2020
Paperback, 355 pages, £7.99
ISBN 9781848457706

The third and final installment of the Shadow of the Fox trilogy opens with the team reeling from a devastating blow, the loss of the Dragon Scroll to Genno, Master of Demons. This unique group of unlikely heroes now race against the clock to save the Dragon Scroll and prevent the great Kami Dragon from being summoned as the fate of the entire world hangs in the balance.

This action-packed adventure is told from multiple perspectives. Firstly, from the perspective of Yumeko, a magical kitsune who can wield foxfire and create illusions. This is followed by Tatsumi, a skilled demonslayer who just happens to share his soul with a powerful demon named Hakaimono and finally, a ghost called Suki who is still tethered to the living realm as she has a key role to play in the destiny of each character. There are other vibrant characters who make up the group: The Shrine Maiden, The Ronin and The Noble.

Julie Kagawa has succeeded in creating a textured and tangible world overflowing with culture, tradition and history. Destiny and fate are a major focus in the book, an acceptance and willingness to sacrifice themselves if they were destined to do so. As the team travels across various territories on their perilous and violent quest I could truly connect with each individual character. I also really enjoyed the startling contrast between Tatsumi, who is mistrusted and struggles to co-exist with a savage and bloodthirsty demon and Yumeko, who is a hero in every sense of the word, selfless and good. I would highly recommend this book, a great read with some exciting plot twists.

Emma Daly, teen reviewer

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A Hurricane In My Head

  • A Hurricane In My Head
  • Matt Abbott
  • Bloomsbury Education, 2019
  • Paperback, 138 pages, £6.99
  • ISBN 9781472963505

A Hurricane In My Head: Poems For When Your Phone Dies by Matt Abbot is a fun book of poetry about being a young teen. There is a wide range of forms and themes covered in the book ranging from school life to the world. Many of the poems are timeless, and often deal with important issues such as bullying, gender stereotyping, dating and all the big and small issues we face in teenage (and adult) life.

While reading this book, I found myself reminiscing for the ‘good old days’ of going to the cinema, the joy of pulling a sickie, and the importance of BEST friends. The book also introduces different forms of poetry (haiku and limerick). At the end of the book, there is a wonderful section titled ‘Get Writing’ for young poets with tips to get them started on their own poetry.

There is something for everyone in this book of poetry. Some of my favourites include The Career Advisor who is dumbfounded anyone would want to be a poet, and asks “How about digital media?,” and the poem The Spine-Tingling Horror of 0% that I think we can all relate to. I laughed. I cringed. I remembered those wonderful and awful times. For that alone I recommend this book to both old and young readers.  

Emily Cross

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Flash Fiction Competition Winners

We are so thrilled to announce the winners of the ‘Right Here, Right Now’ Flash Fiction Competition!

Winner of the Under 18 category is First Came the Virus by Molly McDonagh.

Winner of the 18+ category is Ocean Waves by David Deady


First Came the Virus

First came the virus, then came the leak. Pale green plasterboard, cracked and rotting, surrounded her on this dark, barely lit corridor. Damp had started to seep down from the roof but job loss had meant there was no one to fix it. Money was a problem. They hadn’t been open for months and so had made no income of any sort. The wood-panelled floor had started to lift too. So much to do with so little time. They were expected to be open by Tuesday. How, Kelly had no idea. Anything that wasn’t soaking wet from the leaking pipe was covered in an inch of dust. Miraculously, the kitchen had stayed dry. Kelly didn’t fancy having to move everything to clean it. Her staff wouldn’t be back for another few days and anyway, she wasn’t sure she would be able to pay all of them. Yellow warning stickers covered the windows and the floor, with about half of the oak tables and chairs pushed out to the back to allow for social distancing. Like customers would follow that anyway. Sighing, Kelly took up her brush.

Molly McDonagh


Ocean Waves

James didn’t think he’d get to see the ocean again. Sitting on a crumbling wall overlooking the entire bay, he bounced the backs of his trainers off the stone in slow succession. The old bike he’d rescued from his parent’s shed lay abandoned on the swathe of beachgrass that stretched out beneath him. There had been a storm the night before and the battered thickets were finally beginning to regain their vigour, gently swaying in the panacea of some late summer sunshine.

Finally alone and away from the throngs of people intending for the main beach, James allowed himself a moment to relax. He unlooped the mask from his ears and breathed in the salty air, filling his lungs to capacity, hoping to ease the knots that had been shackled in his stomach for months now. So much of the world had changed, but there was something so reassuringly enduring about being able to see this serene vista, a familiarity that was lost in the city now where tendrils of the virus had touched every surface. 

He sighed and vaulted himself down off the wall as he began to make his way to a part of the shore that remained hidden. The path was involved and tricky but James was sure footed. His battered sneakers instinctively gripped to the craggy rocks he knew would safeguard his passage, gliding by the treacherous ones covered in a slick of green seaweed. It seemed like there’d been a trail long ago, but years of weathering and overgrowth had seen to its vanishing.

The trip was more than ritual now. A latent muscle memory took over and within seconds his feet landed on a patch of dry, dusty sand. Seagulls squawked and soared overhead, lunging at the small bubbles on the shoreline in search of hidden bivalves and snails that appeared when the tide retreated out. James removed his shoes and socks, allowing his toes to wriggle and adventure for a second before he slowly walked to the edge of the water.

Frigid waves lapped eagerly at James’s ankles. Every one of his senses was ravenous after months of isolation; each thunderous swell of water was a sparkling aria that welcomed him home. Nothing was the same though. He had lost and sacrificed so much. But at least the sea still remained, strong and unyielding. A seemingly small delight, but one that made James’s heart soar.

David Deady


About the Authors

Hi, I’m Molly McDonagh. I’m 14 years old and I love rock climbing, reading, writing, drawing, cinema and cycling. My fav subject in school is probably English or Art but I like TG too! I have two younger brothers and a baby sister. I also have a dog called Daisy. My instagram account is called @artbymolly2020.

David Deady is a copywriter who works in Dublin and has an MA in American literature and film from UCC. He has been published in Sonder Magazine, Huffington Post, HeadStuff and other online media outlets. He loves pop culture and spends his time writing thinkpieces about Hilary Duff.

Twitter: @david_deady

Instagram: @aboynameddavid

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Right Here, Right Now Flash Fiction Competition

This competition is now closed. Thank you to everyone who has submitted!

Paper Lanterns are delighted to announce our flash fiction competition! The theme is “Right Here, Right Now.”

Have you got lots of ideas about the current ways of the world around you? Are you looking for a short but sweet way to express all that you feel and think about the events in your life? Then this is the competition for you. 

Details: 

  • This competition is now closed. Thank you to everyone who has submitted!
  • The competition is open to anyone over 13 years old (teens and adults alike!)
  • Submissions are divided into two categories:
    • 13-18 years old
    • 19+ years old
  • Submission fee is €3
    • All funds raised go directly towards the production costs of our journal and paying our contributors for issue two. 
    • There will be an opportunity for you to sponsor a writer’s submission, with our “pay it forward” system. 
  • We will announce two winners in July, one in each category.

The winning stories will be published on the Paper Lanterns website and each winner will receive a €15 prize.

Rules: 

  • Flash fiction entries must be max 400 words
  • The theme “Right Here, Right Now” can be interpreted in any way you like
  • There is no limit on the number of entries
  • Entries must be suitable for a teenage audience 
  • Entries must not be published elsewhere (if you are submitting simultaneously, please let us know if you are accepted elsewhere)
  • Please submit your entry in a Microsoft Word document, size 12 font

Do NOT include your name anywhere within the flash fiction document – we want to keep the judging process anonymous!

How to submit:

Follow this easy, two-step system

Step One:

  • Donate €3 to our Ko-fi page (this counts as your submission fee!)
  • Include your full name when you donate 
  • You will be given a receipt for your donation – take a screenshot of this or save it as a PDF (very important step!)
  • Each submission costs €3 to enter (if you are entering two pieces of flash fiction, please donate €6 – for three entries, please donate €9 – and so on).
  • Our Ko-fi page: https://ko-fi.com/paperlanterns

Step Two:

  • Fill out our submission form (name, email, etc)
  • You will be asked to upload proof of your submission (the screenshot / PDF of your receipt!) 
  • Upload your flash fiction entry as a Microsoft Word doc (please label the document as follows: Flash Fiction Competition – “title of the writing piece”)
  • Do NOT have your name visible on the Word document (to keep the judging process anonymous)
  • If you are submitting multiple entries, please upload them as separate documents)
  • Our submission form: https://forms.gle/Eok7w6mkMAxy5SnS6
  • And you’re done!

Can’t afford the fee?

Accessibility is an important part of our goals here at Paper Lanterns, which is why we are implementing a “pay it forward” system for this competition. 

  • If you would like to sponsor a submission fee (or a few!) – firstly, thank you very much!
  • Secondly, you can donate on our Ko-fi page. Be sure to include your name and a note saying, “PAY IT FORWARD.”

If you are a writer who is experiencing financial difficulties and would like to avail of the Pay It Forward system, drop us an email at paperlanternsjournal@gmail.com and we will help you out. 

If you have any questions about the competition, feel free to contact us at paperlanternsjournal@gmail.com 

Good luck!