Posted on

Short Story Runner-Up: Penelope

We’re delighted to publish the winners and runners-up from our 2022 short story competition for Irish teens, in association with Tertulia Books. This year our theme was “Belonging” and our guest judge was Claire Hennessy. Penelope by Wiktoria Willer (age 16) was a runner-up in our senior category.

Penelope

All Penelope could do was watch as the admissions officer at her elite independent school examined her scholarship application for yet another deplorable year at Dulwick College. 

“These won’t do, Ms O’Louglin,” she said finally.

“Pardon me?” 

“As of this year, only a candidate’s examination results for the preceding semester will be qualified for the scholarship.”

Penelope felt herself sinking into the chair, the Christmas exams.

“In this case, the forthcoming Christmas examinations.” 

The goddamn Christmas exams.

“Please return to the office in January with the results and I will submit your application then.” 

Penelope nodded, albeit shakily. This not only meant that she would have to study relentlessly in the short timeframe before the exams, it also made the effort she put into her previous tests completely futile. In her anger, she had an urge to discard the entire application process.

Instead she said, “Will that be all?”, and politely stalked out of the office. 

However, her failed scholarship application attempt had only been the starter to a lousy, damp day. Quite literally, as it had been raining. 

Next came study group with Jessica Bailey and her band of know-it-alls and teacher’s pets. There were only really three ways a girl could succeed at Dulwick: she could get stellar grades, excel at sport, or she could simply be good at talking, like Jessica Bailey. No one could describe what she thrived at in school, yet everyone hailed her as the paragon of a proper Dulwick student. 

Jessica Bailey bared her sharp teeth at Penelope that evening, amidst the tall bookshelves and large table where, just minutes ago, their study group had assembled. 

“There’s something you need to understand if you’re to stay here,” Jessica said.

Penelope’s hands were shaking, she hid them in her pockets. 

“Yes, people found out you’re here on a scholarship. So what?”

“I don’t care about them knowing,” Penelope replied. 

“You’re not listening.” Jessica’s teeth glinted as she sucked in a breath. “The kids here, they’ve never liked you. Tolerated you, maybe. But not liked. And it wasn’t because of some scholarship. It was all because of you. Who you are as a person.”

Penelope didn’t know what to say to that. She knew she was being humiliated, she should have been embarrassed or angry. But all she felt was an empty acknowledgement, as if Jessica had just affirmed what she had always suspected. 

“You’re not one of us. Do you understand?” 

“You’re totally wrong,” she bit back. “As always.”

But Jessica had just laughed at her. She swung her bag off the table, and turned around for one final punch. 

“Believe whatever you want, Penny.” 

When she was gone Penelope leaned against the mezzanine and watched the rest of the library, willing her head to stop spinning. Once the floor no longer felt like it would give way beneath her feet, she gulped down the rest of her cold coffee and moved her things to a smaller desk in the corner. She studied deep into the night. 

“Even you have to agree! He’s cute! He is!” Emily was exclaiming, too loudly. 

Claire laughed then coughed, tendrils of smoke leaving her lips. 

Emily, Claire and their friends weren’t considered a valuable addition to the student body. They were neither gifted scholars nor athletes, and they didn’t suck up to the teachers. This, in Penelope’s eyes, made them some of the sanest people on the entire grounds. 

Claire shifted to cross her ankles. She reclined on the white-tiled window sill, head half turned against the night breeze of a small window, a cigarette raised to her lips. Next to her, Emily perched with her dirty Mary Janes in the sink, cupping her head with one hand. 

Claire looked down at Penelope with half-interested eyes. They were dull amber. 

“What is your type, Nellie?” She asked.

“What?” 

“Well, I’ve never seen you show an interest in anything other than studying.” She inhaled and turned to blow smoke into the night air. 

Penelope shrugged. “I guess, I never really thought about… relationships.” 

“Nooo, of course you haven’t,” Emily said, jokingly. “You’re much too concerned with that scholarship of yours. I, for one,” she gestured one hand as if giving a speech, “wouldn’t even be here if I had a choice. And if I had to study for it?” She made an outraged expression and shook her head. 

It must be noted then that Emily, Claire, and their friends, all ticked the only other standard Dulwick set for its students: they were incredibly wealthy. 

“So how are you supposed to find anyone attractive when you’re stuck with your head in a book all day? Ah—” She put up a finger to silence her. “Don’t lie to me, you were coming back from the library, from study group with awful Jessica Bailey—” She made a gagging noise. 

“Jessica?” Claire said. “God, I hate Jessica.” Claire turned her full attention on Penelope, “I didn’t know you two were friends—”

“We’re not,” she replied.

Emily laughed. “Oh, I’m sure they’re not.” 

Claire joined in. 

Penelope managed a crooked smile and slid down onto the floor. 

“I agree with Emily,” Claire said. “I don’t understand you at all. You need to go out, experience life.”

Thus Penelope’s remaining weeks at Dulwick revolved around studying, avoiding other students and occasionally attempting what Claire and Emily deemed as ‘experiencing life’, which usually meant meeting new people, music, and sneaking into dorms in the middle of the night. Not all of it was awful, but she could feel herself sleeping less, worrying more and feeling distinctly- faded and worn out, like a wrung-out cloth. As if every day when she woke up, there was simply less of her. And more often than before, she wasn’t where she was supposed to be. She watched herself from the outside, speaking, laughing, lyin, yet it wasn’t her. 

Then— What came then? 

She was in the library, hunched over another book. Its contents puzzling, her small lamp flickering. She was all alone. 

She was walking home on a cold night, putting her collar up against the biting wind, wrapping her arms around the soft wool. She had bought the coat with the prize money from an essay competition. She’d written about modern interpretations of Icarus, of how he would have looked, a burning star in London’s sky. Icarus with his melting wings, falling and drowning in the Thames.

Claire’s eyes danced through amber glass, like dripping honey, the most beautiful thing she had ever seen. She remembered. Then, they heard footsteps coming from outside. The clicking of heels in an empty corridor. The window shut, Claire’s throne discarded for a cramped cubicle. Somehow the two of them were right beside each other. 

No, she wasn’t there. She wasn’t in class, or at mass, or even sitting the damned Christmas exams themselves. She was swaying on the train platform after, the floor beneath her shoes buzzing, the air busy with the chatter of strangers. She looked around briefly, but she couldn’t think of who she was looking for. 

Then, she was (or maybe wasn’t) blurred against the hazy countryside, and she’d been reading. Zooey had finally climbed out of the bathtub and explained to Franny the meaning of Seymour’s fat lady. 

The girl that wasn’t stood before the doorstep of her home, Penelope thought, and once she crossed it, she was. She spoke to her mum like her old self again, the way she hadn’t been able to strain to talk to people at school anymore, every sentence a thinly veiled allusion to some expectation of success. 

She awoke on the soft carpet of her living room. Beside her, Julia (Drusilla), her little sister, was watching cartoons. 

“Hi, Dru,” she said weakly. “How’ve you been?”

“Eh,” Dru replied. Penelope smiled and sat up. 

“You look tired,” Dru observed. 

“I–I haven’t slept very well. I had to study a lot. It might have all been for nothing, though.” 

“Why?” Dru asked. 

“They might kick me out,” Penelope replied. 

“Why?” Dru repeated, surprised. 

“They claim I was caught doing something I didn’t do,” she said. 

“That’s really unfair,” Dru said. “So you’re going to move?”

“What?” Penelope said. “No, they wouldn’t actually kick me out. I’m one of their best students.”

“So you like it there?” Dru asked. “The place where you lose sleep and they frame you for stuff?”

“I—” Penelope thought for a moment. “That’s the thing,” she said. “Everyone wants to know if my grades are good and what the facilities are like and how it’ll affect my future career… but not if I’m happy there. Or if I would change anything. I would change so much, Dru, given the chance.”

Dru rolled her eyes. “I’ll take that as a no,” she laughed. “You know you’ll have to tell Mum now.”

“Oh bollocks,” Penelope said, collapsing back onto the floor in resignation.

She closed her eyes and felt herself sinking into the carpet as the sounds around her swam in and out of focus. She slept. 

Posted on

Short Story Runner-Up: Belonging by Rebecca Downey

We’re delighted to publish the winners and runners-up from our 2022 short story competition for Irish teens, in association with Tertulia Books. This year our theme was “Belonging” and our guest judge was Claire Hennessy. Belonging by Rebecca Downey (age 16) was a runner-up in our senior category.

Belonging

When I got the emails telling me I wasn’t wanted, I wasn’t by myself. I was on break at ballet with other dancers. Sometimes I wonder, if I had been alone, would my reaction have been different? When I read the emails, I know I did feel something in my heart. But I told myself I would think about it later when I was alone. I never really did, though. And that foreseen moment that should have been the scariest moment of my life, for some reason, passed me by. 

18/4/2021

When I woke up this morning, I wanted to do ballet. I did Maria Khoreva’s barre and centre class and also her turnout video. I never feel happier than when I am dancing by myself. In her centre video, I was worried I wouldn’t achieve the fouettés but then I was like, OMG, this is something I can actually do! I know I am getting better too because I tried this choreography last year and couldn’t do it but now I can! My balances are improving, and I actually like how my adage looks. I am proud of myself, and I have been putting in so much extra work lately and it is paying off. But today I just felt so happy. Isn’t that such a special thing? This is what makes me… I keep settling to write the word ‘happy’, but no. That is nowhere near the intensity I feel. A word hasn’t been created yet for how much I love ballet. Now I am crying writing this because I am just so happy that ballet is a part of my life. I will never stop loving ballet. It is my hope. And fear. I love ballet too much not to become a ballerina. I can’t see a future without ballet. Ballet is my soul.

Have you ever felt like this? When you wish that night will come, so you can sit in front of the TV? Me neither. Until this July. I don’t know why, though. Because when I sit in front of that TV, it feels unnatural and forced. Ironically, nights are also the time I dread. Lying in bed, unable to sleep, probably from the lack of exercise, is when the thoughts rush to my mind, one million of them a second. Thoughts about how the only thing that I have ever considered for the last three years, my biggest dream in the world, my promise of the future, didn’t exist. And a lot of those nights, those thoughts lead to panic. No, no no, I would say, before my body thumped my heart, me feeling helplessly terrified. Then I would just cry because I hated to see myself going through this petrifying moment and feel how I felt. Sometimes it was more than once a night. But then, when I woke up, I would stimulate my brain with online clothes or episodes of TV shows. If I was honest, I would think, I don’t know who I am anymore.

I have put off the thoughts of returning to school, but now that it’s a week away, it’s the only thing I think about. I don’t overly mind academics and I’m good at them. I have no friends I like, just a group I sit with so that I’m not by myself. I hate that. Listening to their mind-numbing conversations, thinking I could be at ballet. The thought of returning to that lifestyle every day and having to laugh at my class’s jokes. I felt nauseous. And anxious. Like how I felt at nighttime. I didn’t want to put myself through that life. Not even having my dream to get me through. Sometimes, I think it’s my fault. If I had worked harder. But I know how hard I worked. Only I know how hard I worked. I could also see that this summer, my self-esteem had gone low. Because I didn’t know how to function without every day waking up with that dream in mind, bringing myself closer to it every day. Writing about it in my journal. The hard work and passion that made me happy. I don’t feel happy anymore. Spending my days without doing any of this had taken away my whole life, and to me, my identity. I didn’t know what to do. I felt like I was trapping myself and suppressing a scream. But I was fine. I was sure I would do ballet again soon. Get back to a time when I could write in my journal. I was just… taking a break. Taking a long break from knowing how to survive in this world. 

25/9/2020

This morning, I was so happy and positive, I love Friday mornings! I listened to my “Swan Awake” playlist and on came Don Quixote’s Act 1 Kitri music and I love when that music plays. Then the Black Swan Coda made me dance the steps to the bus. I was so “in the zone”! The music feels like it is coming from inside and controlling me! I think Black Swan Coda is a dance I would love performing the most. It is so energetic and fiery, it would feel so special to perform  on stage. These pieces have led me to discover a side of myself, my inner Black Swan or Kitri. Listening to music is one of my favourite things to do now. As I write, I imagine performing the Black Swan Coda. After nailing those thirty-two- fouettés, you must get such a boost, and the rest is the best feeling in the world. I think listening to my powerful music is one of the best feelings in the world. I will try releasing this new fiery side more in my life and ballet. Is this side my Aries moon coming out? I never understand, ot when I am the definition of my sun Capricorn. Also, the Nutcracker Pas de Deux is the most beautiful piece of music ever created. It is… emotional. I’m never able to describe it. Something that added to my magnificent mood this morning was that ABT’s Skylar Brandt got promoted to principal! Marianela Nunez makes a brilliant black swan!

7:30pm. My mom would be here to collect me at eight. I never stayed that late at school, but after the first Career Guidance class, I was so anxious. Write about your dream job. Write about one step you can take now to bring you closer to that dream. Thinking about those words and staring at my blank page, I felt tears welling. I didn’t have a dream. Me. I didn’t have a dream. I wanted to scream again. I’ll just ignore it and become more miserable. I don’t know how to live. I’m trapped. Everything I did was gone. I was living in pain every day. My heart was beating. I didn’t want to feel like this in public. I followed my footsteps, needing to get away fast. Not even processing with my sense. Just terrified by what my heart was doing to me now. Closing a heavy door behind me, I looked around. I was in the natatorium. The pool was vast, and the dimmed lights made it look so alluring. I succumbed to the motions of my hands, playing the Sugar Plum Pas de Deux. The music was familiar, but the delicate chords that had met my ears with intense heartfelt emotion now stabbed me with pain. I looked up at the diving board. I wanted, needed, to feel a different feeling to the past months, even if it was just for one second. 

The metal felt cold under my bare feet. The board wobbled me to the precipice. For my descent, I thought it would be more exhilarating to step off, rather than an anticipated jump. Succumbing to the music, I counted down. Five. Six. Seven. Eight. Jumping off was thrilling. Then I was in water. My mind froze. What has happened to me? And then, I let it out. That suppressed scream. Tears poured down my face. Helplessness. Despair: the complete loss or absence of hope. I was scared of myself. 7:50pm. I want my mom. 

This is the end of my fourth counselling session. After that night at school, I crumbled. I never open up about my worries but I was nervous for myself. Though I wasn’t happy about diving into that pool, for a second, I had wanted to do it again. So, I told my mom everything. 

Before my first session, I was reluctant and made my mom promise not to tell any of my family. I don’t like that therapy has this stigma. Or maybe it’s just me. I’m not sure. But, coming out of this session, again I feel my heart has been torn open, but I also know I’m getting better. Either way, I want to advocate for it.

Something my therapist told me was, “Ironically, we come out of depression by experiencing our deepest sadness.” I’m accepting that. Some days are okay, and some, I’m on the verge of crying all day. It had been hard, but I was gradually reading through my journal. I cry every time. I feel like I’ve never thought of myself as a “good person”, but reading my journal, I want to root for that girl. I want everything to work out for her. I can see how passionate she is. But that person is me. I am hard-working. I am a dreamer. I am pure. I am self-aware. We have worked on realising that that is still my identity. And that ballet can be a massive part of that. My therapist has encouraged me to get back to the mindful hobbies that I like. I’m doing a lot more drawing and reading now, which I enjoy making time for. She also introduced me to the world of K-Dramas, which she claimed will help me release my emotions, and she promised I would love them. I have fallen in love with K-Dramas, and I agree. I’m always in tears by the end of them. I love them too. South Korea has played many parts in my recovery because as my mom says, I have been taken in by the “Korean Wave”. Maybe. Either way, it makes me so happy. 

My therapist tells me I am an empathetic person. Maybe she’s right. I think I also feel things deeply. With reflection, I have decided I wouldn’t rather this be any other way. Sad moments are painful. But the special moments are beautiful. Noticing my ballet journal beside my bed, I picked it up. And then I started writing again. 

October Mid-Term, 2023

I can’t believe that in twelve hours, I will be on a plane to South Korea! Before I explode with excitement, let me write what our trip entails! 

Mom and I should arrive in Seoul at nine in the morning Korean time, and including hotel check-in and everything, the itinerary should begin at noon. Of course, I want to simply wander around the streets checking out cute cafés, convenience stores and K-Drama filming locations, but there are a few confirmed outings. I am making sure that we visit Seoul National University.  I’m not sure yet, but I like the sound of their psychology course, and they also offer ballet and watercolour painting classes. By the end of next year, my Korean would be good enough. At 7:00pm we are going to see the Korean National Ballet performing Swan Lake! Writing that is making me shiver — this is magical. Seeing the Black Swan Coda… this is my dream. But what I am most excited for, which I still can’t believe, is the masterclass with Korean National Ballet the following morning. I feel emotional that this is happening to me. I deserve this dream. I pull out my pocket notebook that I write my thoughts in. “Serenity,” I write. “The state of being calm, peaceful, and untroubled.” 

Posted on

Review: The Merciless Ones by Namina Forna

The Merciless Ones
Namina Forna
Usborne, May 2022
Paperback £8.99
ISBN 9781474959582

Having read the first book, The Gilded Ones, in this two-part series (and I believe a third is on the way), I was excited about returning to the fantasy land of Otera. We reencounter Deka and her female warrior friends on a mission to raise the four mother goddesses back to their rightful position of power. For centuries, emperors and priests have ruled the lands, and women and girls have lived as second-class citizens, while the goddesses have been shackled and rendered powerless. Now, the patriarchal, imperial society is more dangerous for women and girls than ever, as sinister whispers of a new god, a male god, begin to surface.

Namina Forna’s world-building is wonderfully vivid, complex, and captivating. I was immediately transported back to Otera. However, this is not a sequel you can pick up without having read the first book, so get your hands on The Gilded Ones.

The Merciless Ones delves deeper into this society. Forna explores questions about power, gender, and identity, and plays out these ideas through her diverse cast of characters, successfully avoiding any cliches or tropes. Of course, there has to be a love story too, and the reader is treated to several, including a surprising platonic and polyamorous one. A fast-paced, page-turning adventure, this book is a feast for the imagination.

Grace Kelley

Posted on

Review: Molly Path by Eugene O’Toole

Molly Path
Eugene O’Toole
Hawkwood Books, August 2022
Paperback £8.99
ISBN 9781838024796

Molly Path has stopped going to school. It will take a specialist like Eileen Murtagh to get her to go back. Eileen agrees to take one more case before retirement, and she starts visiting Molly’s house every day. Eileen has been teaching troubled students long enough to know that Molly’s home is not a happy one.

After days holed up in her bedroom while Eileen sits downstairs, Molly joins Eileen, who starts to read aloud to her. This continues day after day. They begin to discuss books and eventually, Molly writes an essay.

Molly believes she doesn’t deserve an education, that everyone at school knows what is going on at home. She believes they know her dad hit her mom and left, that her mom drinks all the money away, and that Molly is hungry and forgotten. Eileen knows what it’s like to have a mother who doesn’t take care of you. Eileen’s kindness and patience pay off, and even Molly’s mother is changed from Eileen’s instruction.

This is a rough, gritty and gripping story. O’Toole weaves a tale of generations of abuse and neglect but balances this by giving the characters this life-changing moment. Chapters are short, and there is some confusion jumping between past and present, but this works to show how far back the issues with mother and daughter go. Ultimately, this is a story of hope, one that promises change is possible. Readers will be rooting for Molly from the first pages.

Maggie Masterson

Posted on

Review: These Are the Words: Fearless Verse to Find Your Voice by Nikita Gill

These Are the Words: Fearless Verse to Find Your Voice
Nikita Gill
Macmillan, August 2022
Paperback £7.99
ISBN 9781529083606

 

Focusing on themes of girlhood, feminism, and adolescence, These Are the Words is a poetry collection that feels like being let in on a secret. It is separated into four distinct sections based on the astrological signs in every season and discusses everything the world doesn’t tell you about the truths, triumphs, and struggles of being a teenage girl.

Throughout the book, Gill places herself as the metaphorical older sibling of each reader, offering advice and wisdom to the younger generation. As a result, there is an almost overbearing sense of familiarity in Gill’s words, one that makes the collection feel like a warm hug on a cold winter day. In each section, she gives voice to the realities of first love, heartbreak, friendship, and family, and provides insight into how to cope with these often mercurial aspects of life.

Gill also validates the anger and outrage that comes along with being a girl today, noting how teenage girls are often exploited, undermined, or disempowered in a patriarchal society. To remedy these feelings, she encourages readers to become active agents, to know their worth, and to strive towards being their truest selves.

However, this collection does not come without its fair share of heavier topics, such as homophobia, racism, misogyny, body image issues, mental health issues, and trauma. Though readers should take care when consuming this collection, these issues are handled with great sensitivity and respect. Furthermore, though the collection targets the female experience, the messages within its pages are not limited to them and would resonate with anyone who stands on the precipice of adulthood.

Aoife Connolly

Posted on

Review: Why Is Nobody Laughing? by Yasmin Rahman

Why Is Nobody Laughing?
Yasmin Rahman
Hot Key Books, July 2022
Paperback £7.99
ISBN 9781471411342

 

Why Is Nobody Laughing is a difficult novel to assess, since it holds the aspirations of two very different novels. Our teenage hero is Ibrahim, a second-generation Bengali in a small town with an unusual ambition: he wants to be a stand-up comedian. But Ibrahim is stricken with crippling panic attacks on and off the stage, and they’re getting worse.

The plot follows Ibrahim and his friend through a comedy tournament in the local community centre. The tournament acts as scaffolding for the important themes: anxiety, family, male friendship. Of these, family is best explored. Ibrahim is caught between the role of parent and child, dependent and carer, his parents speaking little English and interested in performing only the most rudimentary parental duties. It is a fascinating portrayal of an East-Asian family dynamic, and I wished to spend more time with them.

But a conflict lurks at the heart of Rahman’s book. The issues here are dark and weighty dead parents, depression, car accidents but the book doesn’t reflect on them deeply. Much of the novel is, more or less, a mental health guidebook. The advice is excellent but the art suffers. Likewise with the humour, which often elicited a smile but lacked irony or the dryness characteristic of the best British comedy. 

There is value for the younger reader here, but they may find the themes and bad language off-putting. The same themes will appeal to the older reader, but the lack of depth deters. Certainly, there are moments of great beauty it just feels like there could’ve been many more.

Luke Power

Posted on

Review: Bad Things Happen Here by Rebecca Barrow

Bad Things Happen Here
Rebecca Barrow
Hot Key Books, June 2022
Paperback, £7.99
ISBN 9781471411243

 

Luca lives on Parris, a seemingly idyllic island with secrets to hide. The deaths of young women are scattered across it, including that of Luca’s best friend Polly. There’s also a shocking betrayal, an old friendship and a haunting curse.

  Luca believes she can escape the threat of this curse until it claims the life of her sister. Luca embarks on a mission to investigate her sister’s death, uncovering lies and deception, while her relationship with her neighbour Naomi deepens. 

  This book is extremely inclusive. Luca is plus-sized, queer and mixed race, with a refreshing mindset. The mental health representation was excellent, with many emotional themes explored in a realistic and respectful manner. I was impressed by the depiction of Luca’s feelings, giving us a character to relate to and connect with. The theme of privilege was also woven into the book, Parris being a place of rich families who are almost oblivious to the murders in their area. I found this interesting, creating tension between characters and giving another layer to these murders.
I really enjoyed the small, fast-paced chapters with intriguing conclusions, prompting you to continue. The relationship between Luca and Naomi was captivating, and Luca’s complicated relationship with her old friend Jada left us wondering what happened between them. 

          Although the investigation was fast-paced and exciting, some parts were slightly disappointing. I never quite understood what Luca was aiming for or trying to achieve. She mainly focused on one source for clues, giving the book a rather narrow-minded conclusion. Something else I found disappointing was that the connection between the murders was never revealed. We get the solution for the death Luca is investigating but the others almost fade into the background. Sadly, I did not have that ‘gasp’ moment at the end. However, the inclusion, diversity, characters and beautiful writing were amazing and I really enjoyed it! 

 Lasairíona Scarff, 16

Posted on

Review: Mina and the Slayers by Amy McCaw

Mina and the Slayers
Amy McCaw
UCLan, September 2022
Paperback, £8.99
ISBN 9781912979912

We dive into the horror-stricken life of Mina, a not-quite-normal teenager trying to settle into her new life in New Orleans, three months after a tragic death at Fang Fest. Mina is now surrounded by friends and family, and has a part-time job she loves at the local police station. However, when there is a dubious rise in the number of animal attacks and murders being investigated by the police, Mina is filled with a passion to bring justice to these eerie killings. During her investigations, she finds a group of slayers trying to subdue the unruly vampires responsible for the attacks. How will Mina handle this discovery and balancing her relationship with recently turned vampire Jared? Will she overcome these dangers and threats?

I loved the quick pacing with enthralling plot twists just as the novel began to slow down, allowing for a constantly suspenseful, but enjoyable read. I found the plot quite engaging and perfectly balanced, with a good amount of complexity.

The only slight issue I found was the excessive amount of characters that were hard to keep track of, as I felt this took away from the development of other major characters, such as Detective Cafferty and Jared. However, this issue was easily overcome by brilliant character development of the main character Mina, adding quite a thrill to the novel, as I felt a sense of connection and relatability to her.

Personally, I would recommend this coming-of-age novel to teenagers as it discusses some difficult topics such as violence and changing relationships, but I also loved how McCaw incorporated many meaningful themes such as family and love into this truly riveting novel. McCaw expertly blends horror, 90s pop culture and a normal teenager’s life to form a spectacular tale of action, especially for fans of 80s or 90s murder mysteries and YA books. A novel well worth a read!

Maheen Cheema, 14

Posted on

Review: The First Thing About You by Chaz Hayden

The First Thing About You
Chaz Hayden
Walker, September 2022
Paperback £8.99
ISBN 9781529510942

 

When new-boy Harris meets the cute girl in his class, Nory, he is determined to prove he is more than the kid in the powered wheelchair. Luckily, he has a secret weapon, his new nurse Miranda. Beautiful and confident, Miranda sees Harris for who he really is – funny, smart, and totally worthy of Nory’s affections. But Miranda has her own demons, and Harris starts to wonder if she has his best interests at heart.

Harris’s story is bursting with colour – his own, and the psychology of what a favourite colour means. Bright and witty, this is a sweet novel with a very readable style. Through Harris, we learn the struggles of everyday life with a wheelchair. Informative, while effortlessly enjoyable. It opens a new perspective on how we view others, and the assumptions that we can make. Harris’s relationship with Nory unfolded beautifully, and Zander’s loyalty to their friendship left me smiling for ages.

Hayden creates a sense of getting to know these characters, through giving each a moment to shine. They’re flawed and have troubles that are gradually explored, particularly Miranda, a young nurse with a rebellious spirit. Through her character, we begin to see how we must face our personal troubles before we can truly grow. Complex, but thought-provoking, Miranda’s early relationship with Harris made me cautious at times, but Hayden handles this well. A perfect read for book clubs. Overall, a heartwarming story that explores a fresh perspective through, well, a rainbow of colours. 

Kaila Patterson, 15

Posted on

Review: Princess of Souls by Alexandra Christo

Princess of Souls
Alexandra Christo
Hot Key Books, October 2022
Paperback, £8.99
ISBN 9781471411991

 

Selestra has it all. She’s a powerful witch serving an immortal king. She is an honoured member of his court. A feared ornament by her mother’s side. So what if she’s locked up in a tower for most of her life? So what if she can’t talk to strangers or touch anyone? That doesn’t make her a prisoner, right?

Selestra’s entire life changes when, during the king’s festival, she predicts the fate of Nox, a vengeful, deadly soldier in the king’s army. But things don’t go as planned. Selestra touches him, and instead of seeing his death, she glimpses a lethal future for both of them. Selestra and Nox must form an unsteady alliance if they are to outrun fate itself. If they fail, they won’t just lose their lives but their souls too.

Princess of Souls is incredibly fast-paced and hard to put down. There isn’t a lot of time to ponder on the meaning of the Festival of Predictions or breathe in this world before the status quo is overturned. Personally, I prefer when fantasy novels give me a stronger and lengthier introduction to the world before the main events begin. However, this could be better for younger readers to maintain attention and is definitely made up for later in the story.

Selestra and Nox work well as a couple and their vastly different backgrounds make them compelling characters. The witty back-and-forth bickering is always my favourite part of the enemies-to-lovers trope and Christo doesn’t disappoint. The duo gets plenty of insults and jabs in before they realise their affection for each other.  Princess of Souls is great for fans of Holly Black, Cassandra Clare, enemies-to-lovers romance, magic, and brutal fantasy worlds. 

Wiktoria Willer, 16